Steel Magnolias, by Robert Harling

The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, ("I’m not crazy, I’ve just been in a bad mood for forty years"); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny and marvelously amiable company in good times and bad.

A first play which met with immediate critical and popular acceptance in its premier production by New York’s WPA Theatre. Concerned with a group of gossipy southern ladies in a small-town beauty parlor, the play is alternately hilarious and touching—and, in the end, deeply revealing of the strength and purposefulness which underlies the antic banter of its characters. “Harling has given his women sharp, funny dialogue…The play builds to a conclusion that is deeply moving.” —NY Daily News. “…a skillfully crafted, lovingly evoked picture of eccentricity in the small-town South…Robert Harling is a new voice in the theatre and the qualities of STEEL MAGNOLIAS suggest he may be an important one.” —Drama-Logue. “…suffused with humor and tinged with tragedy.” —NY Post.

Leaving Iowa, by Tim Clue and Spike Manton

The spark behind Leaving Iowa comes from being children of parents from the now dubbed "greatest generation." The story is a toast to their idealism and character and a little roast of their undying dedication to the classic family road trip. More specifically, it is the story of Don Browning, a middle-aged writer, who returns home and decides to finally take his father's ashes to his childhood home, as requested. But when Don discovers Grandma's house is now a grocery store, he begins traveling across Iowa searching for a proper resting place for his father. This father-and-son road trip shifts smoothly from the present to Don's memories of the annual, torturous vacations of his childhood. Don's existential journey leads him to reconcile his past and present at the center of the United States. Leaving Iowa is a postcard to anyone who has ever found himself or herself driving alone on a road, revisiting fond memories of his or her youth. Premiered at the Purple Rose Theatre Company.

"A comedy with a surprisingly deep soul." -Hedy Weiss, Chicago Sun-Times

"A road trip in search of one's self. Four out of four stars." -Detroit Free Press

"Leaves you with a smile on your face and a desire to hug your kids." -The Detroit News

"Quintessential family entertainment." -The Chelsea Standard

"Simultaneously hilarious and touching." -Hedy Weiss, Chicago Sun-Times

"Spike Manton and Tim Clue … have honed the written words to a level of perfection." -Lansing City Pulse