Deadwood Dick, or A Game of Gold, by Tom Taggart

Here's the dramatization of a bloodthirsty dime novel just like those Grandfather used to read in secret. The lure of the Old West of heroes, of redskins biting the dust, of lily pure maidens and black hearted gamblers, of the never ending "Game of Gold" is still with us. In 1876 Edward L. Wheeler started turning out novels about a Robin Hood of the Black Hills whom he named Deadwood Dick. Overnight Dick became so popular that the series continued for fifteen years. Taking the most exciting situations, the more colorful characters and the most amusing dialogue from these novels, Taggart has fashioned a blood and thunder melodrama. Long lost daughters, stolen gold mines, kidnapped heroines and hairbreadth escapes abound!

You Can’t Take It With You, by Moss Hart and George S. Kaufman

The family of Martin Vanderhof lives “just around the corner from Columbia University — but don’t go looking for it.” Grandpa, as Martin is more commonly known, is the paterfamilias of a large and extended family of charming eccentrics. His granddaughter, Alice, is an attractive and loving girl who is still embarrassed by her family’s idiosyncrasies. When Alice falls for her boss, Tony, a handsome scion of Wall Street, she fears that their two families – so unlike in manner, politics and finances – will never come together. But why be obsessed by money? After all, you can’t take it with you...

“Naïveté is this show’s oxygen and its strongest selling point, and Hart and Kaufman conjured it with master craftsmen’s shrewdness. A portrait of tax-dodging, rule-defying, work-evading, goodhearted folk who live only to please themselves and suffer no serious consequences, You Can’t Take It With You is one of the most persuasive works of pure escapism in Broadway history.” – The New York Times